A favourite summer creative practice for me is cyanotype printing (sometimes called ‘sun printing’). I use Jacquard printing solution (like this) and have been experimenting with this fun and rather old technique for several years now. If it's new to you, here's a good explanation.

Cyanotype requires practice and experimentation. I've used the wrong type of paper, over-exposed and under-exposed, failed to secure my printed matter properly, had insects obscure my prints and many more challenges. But as with many things, it's an extended process of trial and error.

I’ve learned:

• Rougher watercolour paper is best in nearly every case. It holds up to the process and the texture helps with clarity of prints

• Pure, mid-summer sunlight is best. Light from an overcast day results in blurrier prints

• It's simpler to make a print with pre-pressed plants, leaves and ferns

• Clothes pegs are very useful for securing the layers of board, paper, plants and glass.

Laying out fresh plant matter, including kowhai pods and hebe leaves ready for printing